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The consumer did not have to select andĪssemble individual components, or be familiar with impedance and power These systemsĪdvertised their simplicity.
Own separate, detachable or integrated speakers. Preamplifier, and power amplifier in one package, often sold with its This period is regarded as the "Golden Age of Hi-Fi", when vacuum tube equipment manufacturers of the time produced many models considered endearing by modern audiophiles, and just before solid state ( transistorized) equipment was introduced to the market, subsequently replacing tube equipment as the mainstream technology.Ī popular type of system for reproducing music beginning in the 1970s was the integrated music centre-whichĬombined a phonograph turntable, AM-FM radio tuner, tape player, In the world of the audiophile, however, the concept of high fidelityĬontinued to refer to the goal of highly accurate sound reproductionĪnd to the technological resources available for approaching that goal. In the late 1950s and early 1960s, the development of the Westrex single-groove stereophonic record cutterhead led to the next wave of home-audio improvement, and in common parlance, stereo displaced hi-fi.
In the 1950s, hi-fi became a generic term for home sound equipment, to some extent displacing phonograph and record player. Some enthusiasts even assembled their own loudspeaker systems. Separate turntables, radio tuners, preamplifiers, power amplifiers and loudspeakers. Technical characteristics and bought individual components, such as Radios and 78 rpm records readily apparent and bought 33⅓ LPs such as RCA's New Orthophonics and London's ffrr (Full Frequency Range Recording, a UK Decca Interpreted high fidelity as fancy and expensive equipment, manyįound the difference in quality between "hi-fi" and the then standard AM In the 1950s, audio manufacturers employed the phrase high fidelityĪs a marketing term to describe records and equipment intended to